Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Kojo Dickson confirms exit from Angel FM/TV after months of speculation
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Broadcaster Kojo Dickson Officially Resigns from Angel FM/TV Following Months of Speculation

Veteran broadcaster and General Manager of Angel 102.9 FM and Television, Kojo Dickson, has officially confirmed his resignation from the Angel Broadcasting Network (ABN). The announcement, made through a video shared on his Facebook page, puts an end to months of intense speculation regarding his prolonged absence from the airwaves. Dickson's exit represents a significant leadership change for the media organization, where he played a pivotal role in managing both radio and television operations. In his heartfelt address to his audience, Dickson expressed profound gratitude to the listeners and advertisers who supported his tenure at the station. He noted that while he is moving on to a new phase in his life and career, the decision comes after a period of careful reflection and professional growth. Although he did not disclose the specific reasons for his departure or his immediate destination, he assured his followers that he would keep them updated on his future endeavors within the broadcasting space. He emphasized the importance of the support he received during his time as General Manager, which helped solidify the station's presence in the competitive Ghanaian media landscape. The veteran journalist's exit is the latest in a series of high-profile departures from the Angel Broadcasting Network, raising questions about the current internal dynamics and future direction of the media house. As a seasoned professional who has commanded a significant following, Dickson's next move is highly anticipated by industry observers and fans alike. For now, the broadcaster remains focused on his transition, leaving behind a notable legacy at one of Ghana's prominent private media groups while preparing for his next professional chapter.

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Stonebwoy Reflects on Harrowing 2017 Incident: Wife Dr. Louisa Stabbed While Pregnant at Ashaiman Concert

Award-winning Ghanaian dancehall artist Stonebwoy has opened up about one of the most traumatic chapters of his career, recounting a harrowing incident involving his wife, Dr. Louisa Satekla. During the 2017 edition of his signature "Ashaiman to the World" concert, Dr. Louisa was reportedly stabbed while pregnant with their first daughter. The revelation sheds light on the immense personal pressure the musician faced as he navigated a high-stakes performance while a domestic emergency unfolded behind the scenes. The incident occurred amidst the massive crowds typical of the Ashaiman concert series, a staple event in Stonebwoy's career. According to the artist, the attack was a shock to his team, occurring just as the event was in full swing. Despite the severity of the situation and the immediate danger to both his wife and their unborn child, Stonebwoy felt a professional obligation to proceed with the show. While Dr. Louisa was rushed to the hospital for urgent medical attention, the dancehall star remained on stage to fulfill his commitment to thousands of fans who had gathered for the annual festival. This reflection highlights the often-overlooked security challenges and personal sacrifices faced by public figures in Ghana's vibrant music industry. The 2017 event, though a musical success, was marred by this safety breach, prompting broader discussions about crowd control and the protection of artists and their families during large-scale live performances. Stonebwoy’s decision to share this story years later serves as a testament to the resilience required in the entertainment industry and underscores the private battles celebrities often fight while in the public eye.

Demons rule entertainment industry – Jim Iyke claims
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Jim Iyke Claims Entertainment Industry is Governed by "Demons" and Promotes "Satanic" Self-Worship

Veteran Nollywood actor Jim Iyke has sparked significant conversation across the African entertainment landscape following his controversial claims that the industry is heavily influenced by "demons." In a candid interview with media personality Joey Akan, the renowned Nigerian actor asserted that the entertainment sector is fundamentally structured to "extol satanism," arguing that the values currently championed by many celebrities do not align with divine principles. Iyke’s remarks suggest a deep-seated spiritual conflict within the world of show business, where he believes the glorification of individuals has replaced the worship of God. Elaborating on his perspective, Iyke defined "satanism" not necessarily as ritualistic practice, but as the pervasive culture of self-glorification and the elevation of individuals to the status of "demigods." He pointed out that many practitioners within the industry are consumed by their own fame, leading to a form of self-worship that he equates with serving dark forces. According to the actor, the industry's environment encourages stars to view themselves as superior beings, which he describes as a dangerous delusion that removes any sense of divine presence from their work and lives. Reflecting on his own career trajectory, the actor admitted that he was once susceptible to the same pressures and ego-driven behaviors. He recounted a period where the immense admiration he received from the public made him feel "special," a feeling he now identifies as a manifestation of self-worship. However, Iyke noted that his outlook underwent a radical transformation after he "found God." This spiritual awakening allowed him to recognize that genuine "specialness" does not come from fame or public adoration, but from a conscious connection with the Creator. In his concluding thoughts, Jim Iyke emphasized the necessity for individuals within the entertainment sector to intentionally seek a relationship with God to avoid falling into the trap of satanism. He warned that "serving self equates to serving satanism," suggesting that the industry remains largely devoid of spiritual truth unless practitioners make a conscious effort to resist the allure of ego. His comments serve as a provocative critique of celebrity culture, urging a shift away from the pursuit of personal glory toward a more spiritually grounded existence.

Stonebwoy, Fameye, and Akwaaboah to Headline ‘Ghana for Gold’ UK Concerts Ahead of 2026 Commonwealth Games
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Stonebwoy, Fameye, and Akwaaboah to Headline ‘Ghana for Gold’ UK Concerts Ahead of 2026 Commonwealth Games

Ghanaian music heavyweights Stonebwoy, Fameye, DopeNation, and Akwaaboah are set to take the United Kingdom by storm as headliners for the upcoming ‘Ghana for Gold’ concert series. This initiative is designed to celebrate the richness of Ghanaian culture while drumming up support for Team Ghana as they prepare for the 2026 Commonwealth Games in Glasgow. Organized by ASA Plus in collaboration with Alordia Promotions, the concerts serve as a high-profile platform to bridge the gap between the nation’s sporting ambitions and its vibrant creative arts industry. The concert series will feature two major performances across the UK, beginning in London on July 17, 2026, at the Dominion Centre. Following the London leg, the celebration moves north to Edinburgh on August 1, 2026, where the artists will perform at the historic Usher Hall. These venues have been strategically chosen to accommodate the large Ghanaian diaspora and international music enthusiasts, providing a space where national pride can be showcased through live performances of chart-topping hits. Beyond the music, the events carry a profound cultural and patriotic message under the theme: "Come and celebrate our heritage. Support our athletes. Share the pride. One nation. One spirit. One celebration." By bringing together high-profile artists from different genres—ranging from Stonebwoy’s global Afrodancehall appeal to Akwaaboah’s soulful highlife—the organizers aim to create a unified front. This cultural visibility is expected to strengthen the connection between the diaspora and their homeland, fostering a sense of community as the nation rallies behind its athletes on the global stage. Ticketing details have already been released to allow fans to plan ahead. For the London show at the Dominion Centre, standard tickets are priced at £40, with VIP packages available for £60 via Eventbrite. In Edinburgh, both standard and VIP entries are currently listed at £60. As the 2026 Commonwealth Games approach, ‘Ghana for Gold’ stands as a testament to the power of music in mobilizing national support and ensuring that Ghana’s presence in Glasgow is felt both in the stands and on the tracks.

Greg James Shares Exclusive Details of Taylor Swift and Travis Kelce’s Star-Studded Wedding at Madison Square Garden
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Greg James Shares Exclusive Details of Taylor Swift and Travis Kelce’s Star-Studded Wedding at Madison Square Garden

BBC Radio 1 Breakfast host Greg James has provided a rare glimpse into the highly secretive wedding of pop icon Taylor Swift and NFL star Travis Kelce. Speaking on his radio show, James detailed his experience attending the star-studded ceremony held at the iconic Madison Square Garden in New York City on July 3, 2023. Describing the event as a "surreal" and "amazing dream," James recounted how he and his wife, Bella Mackie, were among the approximately 1,000 VIP guests invited to witness the union of the music and sports power couple. The host noted the intense level of secrecy surrounding the event, explaining that he could only share the news with his wife prior to the big day. The atmosphere of the wedding was described by James as akin to an "interactive Madame Tussauds" due to the sheer density of A-list celebrities from the worlds of Hollywood, music, and professional sports. Among the notable figures James spotted in the crowd was actor Hugh Grant. The venue featured a lively party environment where guests were given an open invitation to join the couple on a dedicated dance stage. James highlighted the scale of the celebration, which featured unlimited food, multiple wedding cakes, and an open bar that the radio host humorously credited for an "incredible hangover" the following morning. Adding a touch of relatability to the high-profile affair, James shared several lighthearted personal anecdotes from the night. He admitted to wearing a suit he had previously worn to another event and humorously confessed to taking home a few unusual keepsakes, including two doilies, to remember the occasion. His account painted a picture of an event that was both grand in scale and festive in spirit, balancing the opulence of multiple cakes with a high-energy dance floor that kept guests engaged throughout the night. While the wedding remained a closely guarded secret until it occurred, Greg James's candid reflections offer fans a unique perspective on the intersection of global entertainment and professional sports. The massive guest list and the choice of such a prestigious New York landmark for the venue underscore the cultural impact of the Swift-Kelce relationship. As the public continues to follow the couple’s journey, James’s stories of celebrity spotting and wedding doilies provide a humanizing look at one of the most anticipated celebrity unions of the year.

Daughters of Glorious Jesus Affirm 37-Year Unity While Reviving Gospel Classics for Generation Z
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Daughters of Glorious Jesus Affirm 37-Year Unity While Reviving Gospel Classics for Generation Z

Veteran Ghanaian gospel trio Daughters of Glorious Jesus have marked a significant milestone in their 37-year ministry by reaffirming their unwavering commitment to group unity while launching a new initiative to bridge the generational gap in gospel music. Speaking on Hitz FM’s Hitz Praise Zone, the legendary group—which formed in 1989—revealed a strategic shift to reintroduce their extensive catalogue of timeless songs to younger audiences. This dual focus on internal stability and external outreach underscores their enduring influence as one of Ghana's most respected musical institutions. Addressing their remarkable longevity, the trio emphasized that despite nearly four decades of collective success, the thought of pursuing solo careers has never crossed their minds. They attribute this rare stability to a philosophy that views their musical gift as a collective divine calling rather than a platform for individual stardom. By prioritizing mutual respect and fostering a bond they describe as sisterhood rather than just a professional partnership, the group has successfully navigated the complexities of the music industry without the internal fractures that have led to the dissolution of many other contemporary groups. Central to their current mission is a concept they liken to the biblical account of Isaac re-opening the wells of his father, Abraham. Lead singer Cynthia explained that the group aims to present their classic hits in styles that resonate with today's youth, particularly Generation Z listeners who may be unfamiliar with the group's foundational work. To support this revival, the trio is responding to longstanding fan requests by producing new music videos for older tracks that originally lacked visual representation. This move ensures their message remains accessible in a modern, visual-heavy digital landscape. As they look toward the future, Daughters of Glorious Jesus remain focused on leaving a lasting spiritual legacy that transcends time. Their goal is to ensure that the messages within their music—which they maintain are rooted in the Word of God—continue to inspire and glorify God across future generations. By blending their historical consistency with modern digital strategies, the trio continues to set a standard for artistic longevity and spiritual dedication in the Ghanaian gospel landscape.

Guinness World Record artist Padiki dies at 50
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Ghana Mourns the Loss of Guinness World Record Artist and Cultural Icon Sharon Dede Padi

The Ghanaian creative arts community is mourning the passing of celebrated visual artist and poet Sharon Dede Padi, popularly known as Padiki, who died on July 7, 2026, at the age of 50. A figure of immense cultural significance, Padiki achieved international acclaim in 2025 when she became the first Guinness World Record holder for the Largest Leaf Print Painting. Her passing has triggered a wave of tributes from across the nation, with her cause of death remaining undisclosed to the public. She is survived by her three children and leaves behind a profound legacy of artistic innovation and national pride. Padiki’s career was characterized by a unique blend of technical expertise and cultural advocacy. A graduate in Architecture from the Kwame Nkrumah University of Science and Technology (KNUST) with a Master’s degree from London South Bank University, she successfully bridged the worlds of design and fine art. Through her work, she explored themes of identity and everyday Ghanaian life, eventually founding the Padiki Art Gallery. This space became a vital hub for nurturing emerging talent, reflecting her deep commitment to supporting the next generation of Ghanaian creatives. Her record-breaking leaf print painting was particularly celebrated for its ability to showcase Ghana’s environment and heritage on a global stage. Beyond her personal artistic pursuits, Padiki was a dedicated public servant and advocate for the creative economy. She served with distinction on the board of Ghana Digital Centres Limited and was recently appointed as the Visual Arts Ambassador for the Odwira Festival. She was a vocal proponent for increased investment in the arts, frequently calling for more resources to be allocated to young artists. Her multi-faceted career saw her recognized not just as a painter, but as a poet and a strategic leader who believed that the creative industry was central to Ghana’s national development. The Ghana Tourism Authority (GTA) has led the official tributes, describing Padiki as one of the nation’s ‘brightest ambassadors.’ In a heartfelt statement, GTA CEO Maame Efua Houadjeto hailed her as a symbol of resilience and creativity whose work brought significant international visibility to Ghana’s tourism and cultural sectors. The authority emphasized that while her death is a monumental loss, her spirit will continue to inspire young Ghanaians to pursue their dreams with the same determination she exhibited. Her impact on contemporary art and her role in elevating Ghanaian culture remain an indelible part of the nation's creative history.

Ghanaian Artist Itz Tiffany Clarifies Mutual Departure from Fuse ODG’s Off Da Ground Records
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Ghanaian Artist Itz Tiffany Clarifies Mutual Departure from Fuse ODG’s Off Da Ground Records

Ghanaian Afropop artist Itz Tiffany has officially clarified the circumstances surrounding her departure from Off Da Ground Records, the prominent music label founded by international superstar Fuse ODG. Addressing long-standing speculation within the entertainment industry, the singer revealed that her exit was a mutual decision rather than the result of a conflict or personal dispute. According to Tiffany, after a productive two-year stint under the label’s management, both she and the label's leadership felt that the time had naturally come for her to move on and pursue new creative directions independently. This clarification aims to dispel rumors of professional friction and highlights the maturity with which the separation was handled. The partnership, which began when she was signed in 2014, was a pivotal era for Tiffany’s career, producing several notable hits including "Azonto" and "Spanner." These tracks cemented her reputation as a formidable force in the Afropop genre and contributed to the global rise of the Azonto movement. Despite the end of their business contract in 2016, Tiffany emphasized that her relationship with Fuse ODG remains entirely cordial. She cited a recent chance encounter at an airport as evidence of their ongoing friendship, noting that they met and spoke without any underlying tension. This transparency settles narratives of a "falling out" that frequently follow high-profile label departures in the Ghanaian music scene. With the chapter at Off Da Ground Records officially closed, Itz Tiffany is now channeling her energy into a revitalized solo career. She has recently returned to the spotlight with the release of two new singles, "Wura" and "Money," which showcase her evolving sound and determination to reclaim her position in the competitive music industry. By clarifying the nature of her past professional ties, she is clearing the path for her new music to take center stage. Her return is highly anticipated by fans who have followed her journey from the early days of her career to her current status as a seasoned veteran in the West African music landscape.

Alex Proie Alex Proie sitting in a car holding up her hand with a gold and diamond wave design ring on her middle finger and smiling
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Navigating Love and Independence: From Life-Saving Sacrifices to the Rise of the Divorce Ring

Modern relationships are increasingly defined by complex financial decisions that test the boundaries of love, loyalty, and personal autonomy. From the agonizing choice of sacrificing a collective future to save a partner's life to the celebratory marking of a marriage's end, individuals are redefining traditional milestones. Recent reports highlight two starkly different yet equally poignant scenarios: a woman facing the potential loss of her life savings to fund her partner’s medical emergency, and a growing cultural movement where women embrace "divorce rings" as symbols of new beginnings and self-empowerment. In a deeply personal account shared with GhanaWeb, a woman has voiced the emotional turmoil of a dilemma that pits her romantic future against a life-saving necessity. Her boyfriend, with whom she has been diligently saving for their upcoming wedding, now requires those funds for an urgent kidney transplant. This situation highlights the agonizing complexities of personal sacrifice within a partnership. The author’s struggle underscores a broader conversation about financial security and the weight of moral obligations, as she weighs the man she loves against the stability of her own future, illustrating that the "happily ever after" often requires navigating unforeseen and costly crises. Conversely, for those whose marriages have already concluded, a new trend is emerging that focuses on reclaiming personal identity through jewelry. The rise of the "divorce ring" represents a defiant shift in how women perceive the end of a legal union. Rather than discarding or selling old engagement and wedding bands, women like Deb Marino are choosing to redesign these pieces into stylish symbols worn on the middle finger. These rings serve as tangible representations of personal growth, financial independence, and a celebration of autonomy. This movement extends beyond jewelry, with many women commemorating their freedom through solo vacations and home redecoration, collectively termed a "hot divorcee summer." These contrasting narratives reflect a shifting landscape in how society views commitment and the self. Whether it is the ultimate sacrifice of a wedding fund for a partner's health or the creative repurposing of a ring to mark a divorce, the common thread is the increasing agency individuals are exercising over their financial and emotional lives. These stories suggest that modern rituals are no longer just about the union itself but about the resilience and survival of the individuals within them, providing a nuanced look at the evolving intersections of love, money, and personal identity.

Not blasphemy, but conversation; Queen Liz defends 'Who Is Jesus?' question on Behind The Lens podcast
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Elizabeth Essuman Defends 'Who Is Jesus?' Dialogue on Behind The Lens Podcast

Elizabeth Essuman, popularly known as Queen Liz, has launched a thought-provoking new episode of her podcast, 'Behind The Lens,' dedicated to exploring the complex identity of Jesus Christ. Premiering this week, the episode tackles the fundamental question of whether Jesus is recognized as God or a Prophet, aiming to bridge the gap between different faith traditions, particularly within Christian and Islamic frameworks. Essuman's initiative seeks to bring scholarly and spiritual depth to a topic often considered too sensitive for mainstream media discussion. In defending the provocative theme, Essuman emphasized that the discussion is intended as a constructive conversation rather than an act of blasphemy. She highlighted the importance of creating a respectful space where diverse perspectives can coexist without the fear of mockery or disrespect toward any specific religious belief. By examining how various traditions perceive one of history's most influential figures, the podcast encourages listeners to engage with beliefs that may differ from their own. The episode is structured to offer a thought-provoking experience, ensuring that participants and listeners alike can explore the nuances of faith without compromising their personal convictions. The latest episode aligns with the broader mission of 'Behind The Lens' to confront serious and often avoided topics in public discourse. Elizabeth Essuman noted that the episode is designed to challenge the existing taboos surrounding the discussion of religion in Ghanaian media. By inviting diverse viewpoints and providing a platform for nuanced dialogue, the show aims to prompt audiences to reflect on their personal faith while gaining a deeper understanding of contrasting theological perspectives. This approach reinforces the podcast's role as a catalyst for critical thinking and open-mindedness, signaling a shift toward more inclusive and daring content in the digital media space.

Rev. Obofour and Oseikrom Sikani Spark Online Debates with Stern Warnings and Property Ownership Challenges
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Rev. Obofour and Oseikrom Sikani Spark Online Debates with Stern Warnings and Property Ownership Challenges

The Ghanaian social media landscape has been dominated by a series of high-profile confrontations and cryptic warnings involving prominent religious and entertainment figures. In a recent viral development, Rev. Obofour, the leader of Anointed Palace Chapel, issued a stern warning to an undisclosed party, signaling a shift from his clerical persona to a more aggressive stance. Simultaneously, within the music industry, rapper Oseikrom Sikani has ignited a fresh rivalry by challenging fellow artist YPee over claims of property ownership, making transparency a prerequisite for any professional collaboration. Rev. Obofour’s recent video, which has circulated widely across platforms like X (formerly Twitter), features the clergyman using bold language to address his detractors. He explicitly stated, "If you come with street, I will meet you with street," a phrase that has sparked intense reactions among followers and critics alike. The warning suggests that the pastor is prepared to respond to any provocation with a level of intensity matching his opponents, regardless of the context. This move is seen by many as part of a recurring trend where religious leaders engage in public feuds to defend their reputations against online criticism. Parallel to this, the hiplife scene is witnessing a unique standoff between Kumasi-based rappers Oseikrom Sikani and YPee. During a TikTok Live session, Oseikrom Sikani expressed his willingness to record a joint album with YPee at no cost, provided the latter comes clean about his residence. Sikani alleged that the house YPee frequently showcases to his fans does not actually belong to him. By demanding that YPee publicly clarify these ownership claims, Sikani has framed the potential collaboration as a matter of integrity rather than just a musical business transaction. These incidents highlight the growing influence of social media platforms as the primary arena for resolving personal and professional disputes in Ghana. Whether it is a man of God using 'street' vernacular to ward off enemies or an artist using live streaming to question a colleague’s lifestyle, the trend of public 'call-outs' continues to shape the narrative of Ghanaian celebrity culture. As these stories unfold, fans remain divided on whether these tactics are genuine attempts at seeking truth and respect or merely strategic moves to maintain relevance in a fast-paced digital era.

Overflowing Talent, Empty Support — Lexikon
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Lexikon Baanfire, Emeka Ike, and Mercy Eke Speak Out on Industry Pressures and Personal Authenticity

Across the West African entertainment landscape, prominent figures are increasingly speaking out about the structural, social, and personal pressures that define life in the public eye. From the lack of institutional support in Ghana's music scene to the societal trends influencing personal relationships and body image, recent declarations by Lexikon Baanfire, Emeka Ike, and Mercy Eke highlight the complexities behind the fame. These revelations underscore a growing call for authenticity and systemic change as artists navigate the demands of their respective industries. In Ghana, Reggae and Dancehall artist Lexikon Baanfire has raised concerns regarding the sustainability of the local music scene. He asserts that while Ghana is brimming with raw talent, there is a critical shortage of mentorship, investment, and formal platforms to nurture emerging artists. Lexikon argued that talent alone is insufficient in today’s competitive market, urging his peers to prioritize impactful music and authenticity over the pursuit of instant fame. He also noted the vital role of social media in connecting local talent to global audiences, while acknowledging the personal sacrifices required to succeed as a performer committed to social change. Contemporaneously, veteran Nollywood actor Emeka Ike has turned the spotlight on the social dynamics of the industry, specifically criticizing the rise of transactional relationships. In a candid interview, Ike labeled "money-for-love" relationships as a "romantic scam," insisting that genuine partnerships should be founded on affection rather than financial exploitation. He suggested that using love as a source of income undermines the sanctity of relationships and urged those seeking financial gain to find alternative means of support rather than misleading their partners. His comments reflect a broader critique of how modern lifestyles have commodified personal connections. Further highlighting the weight of public expectation, reality TV star and actress Mercy Eke recently disclosed the motivations behind her 2018 cosmetic surgery. Eke admitted that she underwent a Brazilian Butt Lift (BBL) primarily due to peer pressure and the overwhelming popularity of the trend at the time. Despite being comfortable with most aspects of her body, the aesthetic demands of her environment influenced her decision. Her transparency provides a rare look into the intense physical scrutiny and the pressure to conform to specific beauty standards that many female celebrities face in the entertainment sector. Collectively, these diverse perspectives from Ghana and Nigeria illustrate an industry at a crossroads. Whether it is Lexikon’s plea for structural investment, Ike’s call for emotional sincerity, or Eke’s reflection on the influence of industry trends, the narrative remains focused on the human side of fame. These stories serve as a reminder that the path to a sustainable career in the arts requires not only professional support but also the resilience to maintain personal integrity amidst shifting social and industry pressures.